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To be fair, it does kind of make sense for the franchise to distance itself from over-the-top portrayals of brutality in the 21st century, particularly following the revelation that former al-Qaeda leader Osama Bin Laden was quite fond of the classic cartoon, a fact made public by the CIA in 2017 when 138 episodes of the show were revealed to be among the digital files seized during the raid that killed him (then again, so was “Charlie Bit My Finger”). The brilliance of Tom and Jerry cartoons, for better or worse, stems from the uncanny cruelty that forever remains unmitigated between the two (parodied to an equally comedic extent in The Simpsons’ Itchy & Scratchy Show and in hilarious viral voiceovers).
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Sure, Tom still suffers a plethora of abuse from Jerry, but in this case it usually doesn’t escalate beyond falling from high-rises or getting his paws slammed by windows and car doors.
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While the movie is often adorable and overwhelmingly wholesome, it lacks the true essence of Tom and Jerry cartoons: Goofy, slapstick barbarity perpetually enacted between the two characters. She recruits Tom to aid in her mission, and the pandemonium that follows threatens to ruin the wedding of celebrity couple Ben (Colin Jost) and Preeta (Pallavi Sharda) as well as the career of Kayla’s overbearing manager Terrence (Michael Peña). After feigning her way into a new gig at the Royal Gate Hotel, Kayla is quickly ushered into her first task ahead of a big celebrity wedding taking place that weekend: Catch and kill a witty mouse who has recently made the premises his new home. As fate allows, the two quickly cross paths, and the ensuing chaos accidentally causes Kayla (Chloë Grace Moretz) to lose her job.
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The nostalgic sadism of Tom and Jerry cartoons of yore is absent almost entirely from director Tim Story’s 2021 reboot the film instead focuses on repairing the acrimonious relationship between the cartoon cat and mouse duo.Ī hybrid of 3D animation and live action, Tom and Jerry transplants the central characters onto the streets of Manhattan, where Jerry searches in vain for a lavish mouse-sized abode while Tom busks with a keyboard in Central Park, masquerading as blind to pull on tourists’ heartstrings. Either way, I’m excited to check this one out whenever it arrives next year.As hypothesized by fellow Paste writer Kenneth Lowe earlier this week, it appears that children’s media can’t handle violence like it used to. Perhaps they’re toying with the idea of bringing it to streaming/PVOD. Tom & Jerry was originally slated to hit in March 2021, but the trailer and press release have left out any mention of a date. But soon, an even bigger problem arises: a diabolically ambitious staffer conspiring against all three of them.Īn eye-popping blend of classic animation and live action, Tom and Jerry’s new adventure stakes new ground for the iconic characters and forces them to do the unthinkable… work together to save the day. One of the most beloved rivalries in history is reignited when Jerry moves into New York City’s finest hotel on the eve of “the wedding of the century,” forcing the event’s desperate planner to hire Tom to get rid of him, in director Tim Story’s “Tom and Jerry.” The ensuing cat and mouse battle threatens to destroy her career, the wedding and possibly the hotel itself. The story seems to have the right amount of goofy and the ‘action’ feels like it’s pulled straight out of the old cartoons I grew up with. I’m not normally big on classic cartoon to big screen adaptations, but I’ll be damned if this doesn’t look like pure delight. This looks excellent and I’m loving the fact that it sticks with the more 2D style of animation rather than trying to make them more realistic (CG Yogi Bear realistic, not hyper-realistic). I wasn’t sure what to expect from this, but I wasn’t expecting to have such a huge smile on my face the whole time.